When Williams made his conducting debut with the famed Vienna Philharmonic in 2019, the musicians asked him for autographs like a celebrity at a sports game. Go to any symphony orchestra and you will find at least a few players who picked up their instruments for the first time in order to puzzle out a tune from Star Wars or Indiana Jones. Today, these complaints have little momentum.

He was asking us to think more deeply about what we were seeing and hearing. In looking to the music of the past, Williams was not having a lend of us. This is how the most popular culture of the 20th century gained its meaning: through evocation, reworking and memory. One might as well complain about how Star Wars borrows Flash Gordon’s opening crawl, or the plot of Kurosawa’s Hidden Fortress or that scene from John Ford’s The Searchers with the burning homestead. Williams was writing music for films that were also deliberate throwbacks. “Any fool can see that,” Brahms is meant to have said when asked about the similarities between his second symphony and Beethoven. Please contact and they will assist.But these “gotcha” comparisons are superficial, dull, and miss the point. Since a grand musical wizard named John Williams established the sound of Harry Potter nine years ago with The Sorcerer’s Stone, new composing students at Hogwarts School of Witchcraft and Wizardry have capably added on to its ever-evolving foundations. If you or anyone in your party tests positive for COVID-19 we recommend you stay at home we operate a 100% exchange guarantee up to 48 hours before your performance. The Deathly Hallows Composer Alexandre Desplat. For further information check our COVID-19 secure information page. The Palace Theatre operates with mitigation methods to help reduce the spread of COVID-19. Harry Potter and the Cursed Child is directed by John Tiffany with movement by Steven Hoggett, set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, music supervision & arrangements by Martin Lowe and casting by Julia Horan CDG. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child, a new play by Jack Thorne received its world premiere in London’s West End at the Palace Theatre in summer 2016.

, Hook, Jurassic Park and the Indiana Jones and Star Wars sagas. Well known in the film industry, he has frequently collaborated with George Lucas and Steven Spielberg to score such films as Jaws, Superman: The Movie, Close Encounters Of The Third Kind, E.T. “It is out of this world, it’s magic, it’s a hit” ( The Times).īased on an original new story by J.K. John Williams is an American composer who composed the soundtracks for the first three Harry Potter films. It will leave you “audibly wowed, cheering and gasping” ( The Telegraph), as “visions of pure enchantment send shivers down your spine” ( Rolling Stone). This one-of-a-kind theatrical experience is packed with “mind-bending, jaw-dropping brilliance” ( Sunday Mirror). Prepare for spectacular spells, a mind-blowing race through time, and an epic battle to stop mysterious forces, all while the future hangs in the balance. And now, the 8 th Harry Potter story is bringing the magic back to London’s West End.ġ9 years after Harry, Ron, and Hermione saved the wizarding world, they’re back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry.

There’s magic in every moment at Harry Potter and the Cursed Child, the most awarded play in history and “one of the most defining pop culture events of the decade” ( Forbes).

Harry potter composer